Lauren DiCioccio
BIO
SOLO & TWO-PERSON EXHIBITIONS
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Remember the Times
Yerba Buena Center for the Arts; San Francisco, CA; January 2011. -
Scatter and Heap
2-person show; Sheppard Fine Arts Gallery; University of Nevada, Reno; August 2010. -
And so it goes...
Walker Contemporary; Boston, MA; May 2010. -
New Work
Jack Fischer Gallery; San Francisco, CA; November 2009. -
Notions
Clifford Art Gallery at Colgate University; Hamilton, NY; May 2009. -
Lauren DiCioccio and Aliza Lelah
Jack Fischer Gallery; San Francisco, CA; July 2008. -
sewnnews
Quicksilver Mine Co. Forestville, CA; February 2008. -
Headlines
Lauren DiCioccio and Heidi Neff; Los Medanos Gallery; Pittsburg, CA; January 2007.
GROUP EXHIBITIONS
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The Mysterious Content of Softness
Bellevue Art Museum; Bellevue, WA; upcoming February 2011 -
Critical Stitch
Mandeville Gallery at Union College; Schenectady, NY; upcoming, September 2010. -
Traversing Gender
McInnich Art Gallery at Southern New Hampshire University
Framingham, MA; Fall 2010. -
2010 Fall Artist-in-Residence Exhibition
McColl Center for Visual Art; Charlotte, NC; September 2010. -
Unbound
Bedford Gallery at the Lesher Center for the Arts; Walnut Creek, CA; July 2010. -
Stitches
Armory Center for the Arts; Pasadena, CA; April 2010. -
By A Thread
San Jose Institute of Contemporary Art; San Jose, CA; February 2010 -
Stitched, Looped and Knitted: Contemporary Needle Art
The Mills Building; San Francisco, CA; September 2009. -
Summer Reading
Jen Bekman Gallery; New York, NY; July 2009. -
Taste
Root Division; San Francisco, CA; upcoming April 2009. -
PULSE New York
with Lyons Wier Ortt Gallery; New York, NY; March 2009. -
Baker’s Dozen
Quicksilver Mine Co.; Forestville, CA; January 2009. -
Narrative Thread
Lyons Wier Ortt Gallery; New York, NY; January 2009. -
Aqua Art Fair
with Jack Fischer Gallery; Miami, FL; December 2008. -
28th Annual Auction
San Jose Institute of Contemporary Art; San Jose, CA; October 2008. -
Code-Switchers
The Lab; San Francisco, CA; September 2008. -
Intersection’s 2008 Fundraiser
Intersection for the Arts; San Francisco, CA; June 2008. -
DoorSnake
Platform 2; Melbourne, Australia; March 2008. -
California Sculpture
SFMOMA Artists’ Gallery; San Francisco, CA; November 2007. -
Stretching the Threads
Harris House (Atlantic Center for the Arts); New Smyrna, FL, April 2007. -
Points Plots and Ploys
Southern Graphics Council Conference; Kansas City; March 2007. -
A Flight, Jack Fischer Gallery
San Francisco, CA; group show; December 2006. -
Terror?, Intersection for the Arts
San Francisco, CA; juried group show; September 2006. -
My Country: Right or Left?
Horton Art Gallery, Stockton, CA; juried group show; 2005.
EDUCATION & AWARDS
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Colgate University
Hamilton, NY; BA in Art and Art History (Studio Emphasis), 2002. -
Quimby Colony
Artists’ residency; upcoming January 2011 -
McColl Center for Visual Art
Three-month artists’ residency, September 2010. -
Kala Institute
One-month artists’ residency, June 2006. -
Vermont Studio Center
One-month artists’ residency, November 2005. -
Horton Art Gallery
Top Merit Prize for work in “My Country” show, December 2005.
REVIEWS & PUBLICATIONS
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Four paintings editioned by www20x200.com
release dates: April 2009 and November 2010 -
"Lauren DiCioccio: And So it Goes” Review
The Boston Globe, June 2, 2010. -
“Art Picks for the Week Ahead”
The Boston Globe, May 27, 2010. -
“Art Review: Stitches at the Armory Center for the Arts”
The LA Times, May 21, 2010. -
“Lauren DiCioccio” Review of new work
ZYZZYVA blog; November 2010. -
Review of new work at Jack Fischer Gallery
Art Ltd. magazine, January 2010. -
“Alumni Spotlight”
Colgate University Scene, February 2009. -
Artwork included in Bird-dog Poetry Journal
Spring 2009 edition. -
“Best in Show 2008”
San Francisco Bay Guardian, January 2009. -
“Eye of the Needle”
San Francisco Bay Guardian, August 2008. -
“Local Artist of the Week”
San Francisco Bay Guardian, August 2008. -
“Front Page: Red Dot”
Art in America, May 2008.
ARTIST STATEMENT
My work investigates the physical beauty of common mass-produced objects as they approach obsolescence. Ubiquitous items of day-to-day life - the newspaper, 35mm slide, or hard-cover book, for example- are quickly becoming cultural artifacts as these media change modes due to technology and the hope for a less wasteful lifestyle. Approaching sculpture, painting, and tedious handicraft with an air of lightness, I aim to remind viewers of the importance of our relationships with these simple but intimate objects of everyday life and to provoke a pang of nostalgia for their familiar physicality.